Postperspective.com
United States
| No | Meta Name | Value |
| 1 | viewport | width=device-width |
| 2 | viewport | initial-scale=1 |
| 3 | robots | index, follow |
| Type | Status |
| HTML 5 |  |
| Responsive Website | |
| No | Text |
| 1 | How cbs’ all rise went remote for season finale |
| 2 | Getting creative to shoot eckrich sausage spot during covıd |
| 3 | Dp james whitaker on amazon’s troop zero |
| 4 | Quick chat: compositor jen howard on her move from films to spots |
| 5 | Collaborating on color for hbo’s ı know this much is true |
| 6 | Review: sound devices mixpre 3-ıı portable 5-track audio recorder |
| 7 | Dp chat: defending jacob’s jonathan freeman |
| 8 | Ramy youssef talks about creating and showrunning hulu’s ramy |
| 9 | Behind the t**le: the cabinet director doug cox |
| 10 | Creating a sonic ident**y for fiat’s new electric car |
| 11 | Back to the ‘70s to edit hulu’s mrs. america |
| 12 | Review:dell ultrasharp monitors — 49-inch curved and 27-inch 4k |
| 13 | Behind the t**le: trollbäck ecd elliot chaffer |
| 14 | Aatranslator tool updated for additional compatibility |
| 15 | Tales from the loop dp talks large-format and natural light |
| 16 | The sonic world of quibi’s survive |
| 17 | Colorist chat: light ıron’s nick ha***on |
| 18 | Dp chat: cinematographer john grillo talks westworld, inspiration |
| 19 | Hulu’s the great: creator and showrunner tony mcnamara |
| 20 | Alkemy x: vfx supervisors share work from home process |
| 21 | Posting michael jordan’s the last dance — before and during lockdown |
| 22 | ınvisible vfx on hulu’s big time adolescence |
| 23 | Due to covıd, the blacklist turns to live-action/animation season finale |
| 24 | Color grading togo with an autochrome-type look |
| 25 | Behind the t**le: gretel designer/animator johannes geier |
| 26 | Review: boris fx continuum 2020.5 and sapphire 2020 |
| 27 | Dp chat: jeffrey waldron on hulu’s little fires everywhere |
| 28 | Production begins again on new zealand’s shortland street series |
| 29 | Posting john krasinski’s some good news |
| 30 | Video chat: posting late night with seth meyers from home |
| 31 | Chimney group: adapting workflows in a time of crisis |
| 32 | Behind the t**le: squeak e. clean executive producer chris clark |
| 33 | Director/ep lenny abrahamson on hulu’s normal people |
| 34 | How vfx house phosphene has been working remotely |
| 35 | Rucksackny: branding, targeted videos and high-quality masks |
| 36 | Adding precise and realistic foley to the ınvisible man |
| 37 | Hecho studios: mobilizing talent and pipeline to keep working |
| 38 | Behind the t**le: kaboom’s doug werby |
| 39 | Colorist chat: ı am not okay with this’ toby tomkins |
| 40 | Working from home: vfx house the molecule |
| 41 | More words of wisdom from editor jesse averna, ace |
| 42 | Talking localization with deluxe’s chris reynolds |
| 43 | Mixing and sound design for natgeo’s cosmos: possible worlds |
| 44 | Review: lenovo thinkpad p1 gen 2 mobile workstation |
| 45 | Behind the t**le: and/or cd and partner kelli miller |
| 46 | Vfx turn minnesota into alabama for indie film tuscaloosa |
| 47 | Quick chat: director/dp ruben latre creates candleosophy spot at home |
| 48 | Konee rok creates animated dj aktive the city music video on his own |
| 49 | Behind the t**le: unit9 director matthew puccini |
| 50 | Colorist chat: fotokem’s phil beckner talks my spy film, more |
| No | Text |
| 1 | Sharing intelligence for the post production and production communities |
| No | Text |
| 1 | Menu |
| 2 | Post navigation |
| 3 | News |
| No | Text |
| 1 | Name (4) |
| 2 | Company (4) |
| 3 | t**le |
| 4 | Can you describe what The Cabinet is and provides? |
| 5 | Name: (4) |
| 6 | Company: (3) |
| 7 | What does Trollbäck do? |
| 8 | Can you describe what Light Iron does? |
| 9 | Can you describe what Gretel does? |
| 10 | This executive producer combines his background as a musician with his 11 years working at advertising agencies to ensure clients get their audio post needs met. |
| 11 | Can you describe your company? |
| 12 | After starting his career as an editor, Doug Werby transitioned to director as well. He loves when a project combines both of his talents. |
| 13 | Can you describe what Kaboom does? |
| 14 | As creative director and partner of this Brooklyn-based design and production studio, Kelli Miller must balance the creative and admin parts of the business. |
| 15 | What Does And/Or do? |
| 16 | This young director has already helmed two short films, Dirty and Lavender, that got into Sundance. And he still finds time to edit when his schedule allows. |
| 17 | Can you describe Unit9? |
| No | Text |
| 1 | The |
| 2 | Blacklist |
| 3 | Troop Zero |
| 4 | Avatar, Pirates of the Caribbean: At World’s End, Transformers, Hulk |
| 5 | Jura***ic World |
| 6 | I Know This Much is True |
| 7 | Defending Jacob |
| 8 | Ramy. |
| 9 | As a director who also edits, Doug Cox finds that each discipline informs the other. |
| 10 | Mrs. |
| 11 | This artist’s biggest pa***ion is live-action directing, “specifically in-camera VFX and CG integration.” |
| 12 | Tales From the Loop |
| 13 | Photography plays a big role in this colorist’s world; he often finds inspiration through others’ images. |
| 14 | Westworld |
| 15 | The Great (2) |
| 16 | The Last Dance |
| 17 | Big Time Adolescence (2) |
| 18 | The Blacklist |
| 19 | Togo (2) |
| 20 | Back in his home country of Germany, Johannes Geier started building cars in Photoshop when he was 11. Now he’s working on campaigns for IFC and The New York Times. |
| 21 | Little Fires Everywhere |
| 22 | Some Good News |
| 23 | Late Night With Seth Meyers |
| 24 | This executive producer combines his background as a musician with his 11 years working at advertising agencies to ensure clients get their audio post needs met. |
| 25 | Room |
| 26 | Normal People |
| 27 | The Invisible Man, |
| 28 | After starting his career as an editor, Doug Werby transitioned to director as well. He loves when a project combines both of his talents. |
| 29 | The End of the F***ing |
| 30 | I Am Not Okay With This |
| 31 | Stranger Things |
| 32 | Cosmos |
| 33 | Possible Worlds |
| 34 | Tuscaloosa |
| 35 | The City |
| 36 | This young director has already helmed two short films, Dirty and Lavender, that got into Sundance. And he still finds time to edit when his schedule allows. |
| 37 | Star Wars: The Last Jedi |
| 38 | The Nun, Aquaman |
| 39 | Shazam! |
| No | Text |
| 1 | All Rise |
| 2 | Troop Zero |
| 3 | I Know This Much is True |
| 4 | Defending Jacob |
| 5 | Ramy |
| 6 | Mrs. America |
| 7 | Tales From the Loop |
| 8 | Survive |
| 9 | Westworld |
| 10 | The Great |
| 11 | The Last Dance |
| 12 | Big Time Adolescence |
| 13 | The Blacklist |
| 14 | Togo |
| 15 | Little Fires Everywhere |
| 16 | Shortland Street |
| 17 | Some Good News |
| 18 | Late Night With Seth Meyers |
| 19 | Normal People |
| 20 | The Invisible Man |
| 21 | I Am Not Okay With This |
| 22 | Cosmos: Possible Worlds |
| 23 | Tuscaloosa |
| 24 | The City |
| 25 | My Spy |
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